"We've been down Hannibal Lecter Avenue many times, and these two books shouldn't work...but they do. Chalk it up to excellent writing and Cain's ferocious sense of humor."
--Stephen King, Entertainment Weekly | Top 10 Books of 2008
(HEARTSICK & SWEETHEART)

"Popular entertainment - the kind that mixes crime, horror, and even a little comedy - just doesn’t get much better than this."
--Booklist, STARRED review
(EVIL AT HEART)

Latest News

This is what I sound like

Hey.  So I was on a show called Think Out Loud that's broadcast by OPB, our local NPR affiliate.  It's an hour long show.  I actually had to pass a phone interview test to see if I was interesting enough to talk to for an hour.  Luckily, I fooled them into thinking I was.  If you want to listen to the result you can go to this link: http://www.opb.org/thinkoutloud/shows/northwest-passages-chelsea-cain/ and click on the little "play" icon. 

The New York Times likes THE NIGHT SEASON!

NYTBR (Feb 27)

Portland, Ore., is wet from the start of “The Night Season.” A storm has soaked the city for weeks. Gulls line the roads, blown inland from the sea. The Willamette River surges with debris. Rain cascades from rooftops and clogs the basement drains of the Multnomah County morgue. This Portland is much like the one in Chelsea Cain’s previous novels, but darker, blurred around the edges and sunk under a cloud cover that threatens to engulf it completely.

Into this waterlogged world trudges Cain’s troubled hero, Detective Archie Sheridan, “a stubborn martyr with a white knight complex.” A woman has been found dead, draped atop the riverside merry-go-round. She seems to have drowned, but a tiny puncture on her palm suggests foul play. The two other people who drowned that week bear identical marks. When Archie’s longtime partner, Henry Sobol, lands in the I.C.U. with an unknown toxin in his veins, the case takes on new urgency. Suspended in semiconsciousness, Henry is both silent witness and sole survivor of the murderer’s rite.

By now, Archie (and Cain’s loyal readers, of which there are many) knows the signs of a serial killer all too well. In “Heartsick” and its two sequels, Cain conjured Gretchen Lowell, a blue-eyed psychopath with an endless résumé of gory murders. Archie was Gretchen’s special victim, trapped and tortured after 10 years on her trail, and spared at the 11th hour in a twisted act of mercy. Back in jail, Gretchen has receded to the fringes of the narrative, but her lethal beauty haunts the detective. He fingers the heart-shaped scar she carved into his chest as if it has replaced his own.

The crimes in “The Night Season” are at once less plausible and less deliciously perverse than Gretchen’s drawn-out butcheries. As the hours creep by, the task force discovers the killer’s bizarre, ­aquarium-bound weapon. The motive is murkier. Susan Ward, The Oregon Herald’s neon-haired crime columnist, returns in a central role, shadowing Archie as he makes his sleepless way through the investigation. Despite his half-hearted attempts to shake her off, her dogged detective work proves crucial to the case. “You know how everyone has a tiny talent?” she asks him. “Like parallel parking? Or catching serial killers? Mine is Googling.” Irreverent, vulnerable and sharp, she is as shrewdly drawn as Archie and as interesting to watch. As in the past, she ends up in the thick of things, and the book’s high-octane ending hinges on her resolve.

Cain intercuts her quick-paced chapters, which spin each narrative strand with expert restraint, with brief moments in the murderer’s footsteps. In one early scene, Susan scours the park at night while the killer follows two paces behind, obscured by the darkness beyond her flashlight’s beam. “He could kill her. In a heartbeat,” he thinks. “He would not even break a sweat doing it.” These glimpses of psychosis are unsettling, but they never chill with the force of Gretchen’s ice-blue stare. Like Gretchen, this novel’s cephalopod-obsessed killer wants his victims to experience death — to know it intimately. But there is a motive to his derangement. Perhaps inevitably, Gretchen’s deadly machinations are more frightening for their wanton brand of evil.

Still, the world that Cain creates is as dark and ominous as ever. The novel’s greatest menace is the weather, which transforms Portland’s familiar topography into something less than welcoming. Flooded and obscured by rain, the city becomes wild, unknowable: “The thin wisps of trees lining the sidewalk shuddered, bare-leaved, in the wind. The whole world glistened wet and black, like the Pacific Ocean at night.” When the storm nearly levels its downtown, the sudden shifts in perspective are vertiginous, and thrilling. This is the mood that Cain has mastered: the dread of knowing something is off, but not being able to see it clearly. It is what presses her readers onward, pulses rising along with the waterline.

Zoë Slutzky has written for Bookforum, The Los Angeles Times and Mother Jones.

EVIL AT HEART: the TODAY show, Chicago Sun-Times, NYTBR, and USA Today!

Check out the TODAY show clip here.

Chicago Sun-Times, by Denise I. O'Neal, 10.04.09 -- Cain is among a new breed of women writers stepping way out of the stereotypical female comfort zones of writing purple prose and chick lit, and instead serving up meatier and more gruesome stories.

NYTBR, by Maria Russo, 09.27.09 -- You have to hand it to Cain, who's made the serial-killer genre a thoroughly female-friendly experience. It's not just that Gretchen Lowell, the psycho killer at the center of Cain's thrillers, is a woman.

USA Today, by Carol Memmott, 10.01.09 -- Cain's wonderfully over-the-top series takes a new turn...It's not to be missed.

NYT Bestseller: for THREE weeks!

EVIL AT HEART has now been on the NYT Bestseller List for three weeks! (9/20/09: #16, 9/27/09: #28, 10/4/09: #33)

Chelsea Slays Portland: An Interview

Check out Chelsea's latest interview with Powell's Books here.  And why disembowelment is funny.  Or should be.

Evil at Heart EW Pick!

Entertainment Weekly names EVIL AT HEART their pick for September 5.  Go get your own copy already!

Evil at Heart: a Review by The Oregonian

"Archie may be an even more compelling character than Gretchen. Together -- and Cain puts them together in ways you'll never forget -- they perform a dance you can't stop staring at no matter how much it horrifies you....the prose itself is as sharp as Gretchen's scalpel and as deftly wielded."

MOST VIEWED on YouTube!

The trailer for my new book just HIT THE MOST VIEWED LIST under PEOPLE & BLOGS on YouTube!  Check it out: http://www.youtube.com/watch?v=Pb_WSQJamhA.

True Blood

A character was reading HEARTSICK on the HBO vampire-hit True Blood a few weeks ago. True Blood happens to be my favorite show right now, so there was a lot of yelling around here. Three more weeks until EVIL AT HEART comes out. Order your copy now at the usual places.

Fast Facts

March, 2011
  • New York Times Bestseller
  • Starred review in Booklist
  • "Chelsea Cain is ... the new queen of serial killer fiction" - Kirkus Reviews
March, 2011
  • New York Times Bestseller
  • Starred review in Booklist
  • "Chelsea Cain is ... the new queen of serial killer fiction" - Kirkus Reviews
September, 2009
  • New York Times Bestseller
  • Named by Amazon as “One of the Best Books of 2009…So Far”
  • Starred review in Booklist
  • Recommended on the TODAY show
September, 2008
  • New York Times Bestseller
  • One of Stephen King’s Top Ten Books of the Year (2008) in Entertainment Weekly
  • Audiobook an Audie Finalist
  • Appeared in an episode of the TV show Castle
September, 2007
  • Voted one of the best 100 thrillers ever written by NPR listeners
  • New York Times Bestseller
  • One of Stephen King’s Top Ten Books of the Year (2008) in Entertainment Weekly
  • New York Times Book Review "editor's choice"
  • Amazon's “Mystery/Thriller of the Year” (2007)
  • BookSense 76 Pick (September, 2007)
  • Featured alternate for Book of the Month Club, Literary Guild, Doubleday Book Club, Mystery Guild, QPB
  • Translated into over 20 languages, including Icelandic, Romanian, and Japanese
  • Film rights optioned by DeMann Entertainment. Script in-development
  • Appeared in an episode of the TV show True Blood

Biography

Chelsea Cain is the author of The New York Times bestselling thrillers HEARTSICK, SWEETHEART, EVIL AT HEART, and THE NIGHT SEASON.  

Her Portland-based thrillers, described by The New York Times as "steamy and perverse," have been published in over 30 languages, recommended on “The Today Show,” appeared in episodes of HBO’s “True Blood” and ABC’s “Castle,” named among Stephen King’s top ten favorite books of the year, and included in NPR's list of the top 100 thrillers ever written.  According to Booklist, “Popular entertainment just doesn’t get much better than this."

 

Reviews

The New York Times Book Review, The Night Season

Mar 27 2011

Inky Depths

By ZOË SLUTZKY

Portland, Ore., is wet from the start of “The Night Season.” A storm has soaked the city for weeks. Gulls line the roads, blown inland from the sea. The Willamette River surges with debris. Rain cascades from rooftops and clogs the basement drains of the Multnomah County morgue. This Portland is much like the one in Chelsea Cain’s previous novels, but darker, blurred around the edges and sunk under a cloud cover that threatens to engulf it completely.

Into this waterlogged world trudges Cain’s troubled hero, Detective Archie Sheridan, “a stubborn martyr with a white knight complex.” A woman has been found dead, draped atop the riverside merry-go-round. She seems to have drowned, but a tiny puncture on her palm suggests foul play. The two other people who drowned that week bear identical marks. When Archie’s longtime partner, Henry Sobol, lands in the I.C.U. with an unknown toxin in his veins, the case takes on new urgency. Suspended in semiconsciousness, Henry is both silent witness and sole survivor of the murderer’s rite.

By now, Archie (and Cain’s loyal readers, of which there are many) knows the signs of a serial killer all too well. In “Heartsick” and its two sequels, Cain conjured Gretchen Lowell, a blue-eyed psychopath with an endless résumé of gory murders. Archie was Gretchen’s special victim, trapped and tortured after 10 years on her trail, and spared at the 11th hour in a twisted act of mercy. Back in jail, Gretchen has receded to the fringes of the narrative, but her lethal beauty haunts the detective. He fingers the heart-shaped scar she carved into his chest as if it has replaced his own.

The crimes in “The Night Season” are at once less plausible and less deliciously perverse than Gretchen’s drawn-out butcheries. As the hours creep by, the task force discovers the killer’s bizarre, ­aquarium-bound weapon. The motive is murkier. Susan Ward, The Oregon Herald’s neon-haired crime columnist, returns in a central role, shadowing Archie as he makes his sleepless way through the investigation. Despite his half-hearted attempts to shake her off, her dogged detective work proves crucial to the case. “You know how everyone has a tiny talent?” she asks him. “Like parallel parking? Or catching serial killers? Mine is Googling.” Irreverent, vulnerable and sharp, she is as shrewdly drawn as Archie and as interesting to watch. As in the past, she ends up in the thick of things, and the book’s high-octane ending hinges on her resolve.

Cain intercuts her quick-paced chapters, which spin each narrative strand with expert restraint, with brief moments in the murderer’s footsteps. In one early scene, Susan scours the park at night while the killer follows two paces behind, obscured by the darkness beyond her flashlight’s beam. “He could kill her. In a heartbeat,” he thinks. “He would not even break a sweat doing it.” These glimpses of psychosis are unsettling, but they never chill with the force of Gretchen’s ice-blue stare. Like Gretchen, this novel’s cephalopod-obsessed killer wants his victims to experience death — to know it intimately. But there is a motive to his derangement. Perhaps inevitably, Gretchen’s deadly machinations are more frightening for their wanton brand of evil.

Still, the world that Cain creates is as dark and ominous as ever. The novel’s greatest menace is the weather, which transforms Portland’s familiar topography into something less than welcoming. Flooded and obscured by rain, the city becomes wild, unknowable: “The thin wisps of trees lining the sidewalk shuddered, bare-leaved, in the wind. The whole world glistened wet and black, like the Pacific Ocean at night.” When the storm nearly levels its downtown, the sudden shifts in perspective are vertiginous, and thrilling. This is the mood that Cain has mastered: the dread of knowing something is off, but not being able to see it clearly. It is what presses her readers onward, pulses rising along with the waterline.

Zoë Slutzky has written for Bookforum, The Los Angeles Times and Mother Jones.

THE NIGHT SEASON, Publishers Weekly

Feb 18 2011

With serial killer Gretchen Lowell locked up, Archie Sheridan can concentrate on more pressing issues, like the Willamette River threatening to overflow its banks, in Cain's fine fourth thriller to feature the Portland, Ore., detective. When a body turns up at an amusement park, Archie thinks it's just another drowning, until the coroner finds a puncture wound. The case becomes a murder investigation when similar marks are found on other recent victims thought to have succumbed to the Willamette's rising waters. Meanwhile, reporter Susan Ward is writing a piece on a skeleton uncovered at the site of what was once Vanport, a town destroyed by a flood in 1948. She tags along with Archie's team as they try to pinpoint not only the killer's motive but also his bizarre toxin. Cain easily weaves the history of the real-life Vanport flood with her trademark heart-stopping moments, and fans will be pleased to see the series flourishing without Gretchen on every page. 150,000 first printing. (Mar.)
(c) Copyright PWxyz, LLC. All rights reserved.

THE NIGHT SEASON, Kirkus Reviews

Feb 18 2011

Finally free, at least physically, of his former lover and crazed torturer, Gretchen Lowell, who's behind bars, Portland Detective Archie Sheridan vies with a slightly more mundane serial killer in Cain's latest installment in the series (Heartsick, 2007, etc.).

Where do you go as a mystery writer after your beautiful, smart, cruelly amusing main attraction has pulled out all psychotic stops in making your star detective's life an unrelieved hell? In this volume, Cain gives Gretchen a breather and replaces her with a largely unseen male menace. Accompanied by a nine-year-old boy who was stolen from his parents 18 months ago, this serial killer carries around small, blue-ringed octopuses in baggies, subjects his victims to their poisonous bites and tosses the corpses in the river. The killings begin after the discovery of a skeleton points back to the Vanport flood of 1948, which wiped out an entire public-housing project and claimed the lives of many residents who were tardily warned by authorities of the impending disaster. Sixty-two years later, with the overflowing Willamette River about to wreak havoc on Portland, two people close to the still-shaky Sheridan are touched by the octopus killer's evil: Henry Sobol, a fellow cop, and Susan Ward, a hungry crime columnist with wild hair. Compared to the Gretchen Lowell books, there's nothing else particularly wild about this novel. But the story is deftly handled, the suspense is plentiful and Cain's evocation of the gloomy atmosphere and Portland setting is superb. Gretchen fans will be pleased when she shows up at the end and with a glance tells us we haven't seen the last of her, but this novel does an excellent job of killing time until then.

A strong and satisfying, if less extreme, outing from the new queen of serial-killer fiction.

THE NIGHT SEASON, Booklist (Starred Review)

Feb 18 2011

Devoted readers of Cain’s superb Archie Sheridan novels, starring the Portland, Oregon, police detective, have known all along that eventually the series would have to stand on its own without the mesmerizing presence of serial killer Gretchen Lowell, with whom Archie shares the quintessential love-hate relationship. But can Cain pull it off? Yes, indeed. As the novel begins, Portland is threatened by the worst flood since 1948, when the town of Vanport, just north of the city, was wiped from the map. Cain skillfully incorporates the details of the real-life Vanport flood into her story, which centers on the murders of a random group of victims who have been bitten by a rare breed of venomous octopus. The floodwaters continue to rise as Archie and reporter Susan Ward, elevated here from scene-stealing supporting player to full-fledged costar, track the killer and a boy he has apparently kidnapped. In the earlier books, Cain pinned readers to their seats with a unique mix of horror, black humor, and psychological tension. This time she adds another arrow to her narrative quiver: the interplay between landscape and mood. This may be the best thriller set in a flooding city since Donna Leon’s Acqua Alta (1996). The enveloping floodwaters are every bit as terrifying as the octopus-toting killer (many of the key action scenes take place in or under the black water), and the river itself takes on a kind of evil persona, a superhuman antagonist of unfathomable power. Who knew it would take the Willamette River to prove that Chelsea Cain doesn’t need Gretchen Lowell?

by Bill Ott

THE NIGHT SEASON, Library Journal

Feb 18 2011

Portland, OR, is shutting down owing to torrential rains and rising floodwaters, but Det. Archie Sheridan can’t come in because the dead body count is rising quickly, too. Conventional wisdom says these are drowning victims, but when colleague Henry Sobol is felled by a toxin, we realize a serial killer has devised yet another exotic means of death. Intrepid journalist Susan Ward thinks the victims are tied to the historic floods of 1948, and when the clues fall into place, Archie realizes she’s right again. Fighting the weather and a crafty killer means they have to win this one the hard way—by swimming. The team continues to be haunted by their nemesis Gretchen Lowell, the so-called Beauty Killer, but her influence is minimal in Cain’s fourth Archie Sheridan novel (Heartsick; Sweetheart; Evil at Heart), and this brings a certain freshness to the story line. VERDICT Perfect for readers who want to mix true crime history with their contemporary serial killers, as in Lisa Black’s Trail of Blood or Michael Harvey’s The Third Rail. The pace is as relentless as the floodwaters engulfing Portland. Buy heavily and enjoy recommending this to new Cain fans. [150,000-copy first printing; library marketing.]—Teresa L. Jacobsen, Solano Cty. Lib., Fairfield, CA

EVIL AT HEART, The Huffington Post

Oct 19 2009

Chelsea Cain is a writer who knows no fear. She manages to break all the rules of mystery writing by being as gruesome and gory as possible. You would think this style would turn off readers and repel them. You would be wrong. It attracts them. This is because Cain may be overly gruesome, but she is also a truly terrific writer. Her latest novel Evil at Heart is a prime example of that fact.

EVIL AT HEART, Chicago Sun-Times

Oct 5 2009

Cain is among a new breed of women writers stepping way out of the stereotypical female comfort zones of writing purple prose and chick lit, and instead serving up meatier and more gruesome stories.

EVIL AT HEART, USA Today

Oct 1 2009

She's the most twisted — and most beautiful — serial killer on the planet, and she's back with a vengeance in Evil at Heart, the third novel in Chelsea Cain's fantastic series that began with Heartsick and Sweetheart. Gretchen Lowell has been wreaking bloody havoc on Portland, Ore., and its environs for years. Archie Sheridan, the cop who loves and hates her, and also was once her captive, is still trying to catch her. Cain's wonderfully over-the-top series takes a new turn when fans of Gretchen try their hand at killing. It's not to be missed.

by CAROL MEMMOTT

EVIL AT HEART, New York Times Book Review

Sep 27 2009

You have to hand it to Cain, who's made the serial-killer genre a thoroughly female-friendly experience. It's not just that Gretchen Lowell, the psycho killer at the center of Cain's thrillers, is a woman.

EVIL AT HEART, The Courier Journal

Sep 26 2009

Author Chelsea Cain wields her sharp prose with a calculated cool that would make her great creation beam with pride...This is a terrific book...It's horrid, and anything but horrible.

Contact Chelsea's Publicist

Hector DeJean
Minotaur Publicity Manager
St. Martin's Press
175 5th Avenue, 15th Floor
New York, NY   10010
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